Scott Talpey moved from the US to Australia and discusses his dedication to working as an academic and informing the coaches of the other 99%, that is those who play sport at a non-elite level. Scott’s early career as a strength and conditioning coach provided him with an understanding of the responsibilities and an insight into the needs of players and coaches. He discusses the differences in cultural approaches to playing sport between the US and Australia and the role that club-based rather than school and college based participation leads to different outcomes. The coach is seen as the key to changing the way we play and train for sport in Australia.
Dr Scott Talpey is a lecturer and researcher at Federation University Australia and a Research Associate at the International Olympic Committee (IOC) endorsed Australian Centre for Research into Injury in Sport and its Prevention (ACRISP), at Federation University Australia. His broad research area is in applied sport and exercise science with a specific focus on sports injury prevention and performance with an aim to have the sports coach and athlete as the end user of his research.
Scott is a certified strength and conditioning specialist (CSCS) and a level II strength and conditioning coach from the Australian Strength and Conditioning Association (ASCA). He currently practice as a strength and conditioning coach for semi professional adult and high performance junior basketball players. Scott uses his research background to inform his coaching, and his coaching experience to drive his research.
We are used to seeing or playing sport without really thinking about the multiple sociocultural factors that take place in the game and on the field. Gina Krone delves into some of the most significant features of the most popular Australian sports. She analyses the concept of hypermasculinity looking at the physicality needed to practice AFL and Rugby, and how the body and minds of athletes have been portrayed and enacted according to different historical periods. In this episode we talk about the pedagogical strategies of the colonial project in Australia, and how globalised sports like Rugby are a useful case study to analyse issues such as masculinity, ethnicity and racism.
Alejandra Villanueva is a Cultural Anthropologist, currently doing her PhD at the Institute for Culture and Society at Western Sydney University. She’s interested in the significance of sporting practices in contemporary societies, and how by looking at sports we can understand the processes of gender identity construction, socioeconomic inequalities and the social structures that shape the ways in which we understand work and leisure.
Gina Krone is a social researcher currently undertaking her PhD at RMIT exploring sport as cultural practice for diasporic Pasifika communities living in multicultural urban centres in Australia and Aotearoa/New Zealand.
This is a story of science and serendipity, a researcher observing and listening, a story of research unfolding. Karen Mickle moved from researching changes in the feet of children, to older feet, studying falling injuries and ultimately developing exercises based on biomechanical principles. Karen’s research became practically driven as she listened to the reports of her participants, and her current focus is focused on improving the health and fitness of feet in a diabetic population.
Dr Karen Mickle is a postdoctoral research fellow within the Institute of Sport, Exercise and Active Living (ISEAL) at Victoria University. Her research is located in the Gait, Balance and Falls group within ISEAL’s Clinical Exercise Science Research program.
Karen is a biomechanist who gained her PhD in 2011 from the University of Wollongong and was awarded a prestigious postdoctoral training fellowship (2011-14) from the National Health and Medical Research Council (NHMRC). Karen’s research for over a decade has focused on applied lower limb biomechanics with a specific interest in structure and function of the foot and the influence of musculoskeletal and metabolic pathologies.
During her NHMRC fellowship, Karen spent two years at the University of Salford, UK. Here she developed a reliable method to measure foot muscle morphology using ultrasound. Karen has published 20 original research articles and three book chapters. She has 40 conference papers at national and international scientific meetings, including the Clinical Biomechanics Award address at the 2009 International Society of Biomechanics Congress, and Invited Speaker presentations at the World Congress of Biomechanics in 2010 and 2014.
Her current research aims to determine the pathomechanics of muscle weakness in individuals who have foot problems, and to develop evidence-based intervention strategies to restore foot function in people with foot disorders [Media Release].
Interview with Michael Schubert about the documentary
In Search of Silence, a SoundMinds Special Project
Sarah Martin, a producer from The Wire and Radio Adelaide made an audio interview for Storychaser with Michael about the ideas behind Silence and the process of making a documentary. Listen in to hear about the thinking behind the documentary, the value of critique and mentoring and why he got interested in silence in the first place.
Sarah Martin produces content for The Wire and is particularly focused on science journalism. Her own documentary on genetically modified food Food For Thought is on the NFDS website.
Camels provide an unlikely perspective to view the Australian environment, but human geographer Leah Gibbs is interested in people and places. Her work questions the notion of “feral”, “introduced” and “invasive” species, and rather confronts the situation from an assemblage perspective. Taking the wider view, incorporating the narrative of all stakeholders, including non-human species and their contributions, provides a starting point to challenge simplistic dualistic thinking.
I talk to Leah Gibbs about her work in Camel country, the analysis of camel assemblages and the way this approach challenges a simplistic narrative of invasive species.
In this episode, we take to the streets of Sydney. We meet public housing resident Barney Gardner at his house in the suburb of Millers Point, which is just under Sydney Harbour Bridge.
I’ve spent a bit of time with Barney over the last couple of years, interviewing him for variousresearch projectson inner city gentrification.
Barney was born in Millers Point and has lived there all his life. In 2014, he was told he had to move out of his house and the neighbourhood. The public housing he was living in was being sold off.
For most of the last two centuries Millers Point’s proximity to major wharves and maritime industries saw the place develop as a largely low-income, working class neighbourhood. In the early 1970s the ‘Green Bans’ saved the suburb from modernist redevelopment.
I talk to Nicole Cook, a Lecturer at the University of Wollongong, about urban development in Sydney, and what the Green Bans teach us about Global Sydney.
Dr Nicole Cook is a Lecturer in the School of Geography and Sustainable Communities at The University of Wollongong. Nicole is an urban geographer with research interests in urban governance, power and participation, social movement and resident activism, housing and home.
Barney Gardnerwas born in Millers Point and has lived there all his life.
The popularity and success ofBatman, Ironman and The Avengers have contributed to a revival of the American superhero on the big screen. And though the latest films may seem like modern superhero narratives, the themes that make them relevant today stretch back to the 1930s and 40s, and the environment that gave rise to the first superheroes: the great depression, an undercurrent of fascism in America, and the looming Second World War.
Do you want to hear all about silence? Perhaps silence is simply the absence of sound. Not noise. But is that it? I’m on a quest in search of silence, to explore the views of those who work with sound, and those who deal with silence. The quest will take me to the quietest rooms and the noisiest streets, in search of silence.
I asked the experts, sat in silent rooms and explored a diversity of views. What I found was a range of definitions and a fascination amongst those who work with silence. From hearing and communication researchers to composers, musicians, sound recording engineers and naturalists and acoustic ecologists – they all had their point of view, their lens on silence.
The anechoic chamber, a silent room, rumoured to drive you crazy turned out to be serene, unusual and compelling. Hearing Researchers told me that we don’t hear sounds in our head at all, it’s all electrical currents. Not sound at all. Composers and sound recordists considered silence to be as important as sound. Conductors insist that musicians needed to learn how to play silence in order to create great performances.
I talked with Professor David McAlpine from the Australian Hearing Hub, a researcher who opened the door to the anechoic chamber, Richard Gill, composer, conductor and music educator who is currently exploring how to play silence, and Guntis Sics, who is always on film sets and finds his version of professional silence different to absolute silence.
Does silence exist? Would we want silence if we could actually find it? Will our brain allow silence to exist for us? These are some of the questions posed and answered as I go In Search of Silence.
This piece was made for the CBAA National Features & Documentary Series 2016, a showcase of work by new and emerging Australian community radio producers, with training and mentoring provided by the Community and Media Training Organisation.
Hearing Colours Seeing Sounds : Lessons from Synaesthesia
We are used to hearing sounds and seeing colours, but what if you could hear colours or see sounds. Or what if you read a book and each letter had a colour. Dr Anina Rich researches synaesthesia with an aim to understand the associating functions in our everyday perception. Although unusual, synaesthesia is not a disorder; it can provide us with a unique view of the integration that underlies perception. Synaesthetics may just be the “pioneers of perception”.
Associate Professor Anina Rich has two main streams of research. One explores the way in which the brain prioritises relevant information and ignores distraction – the mechanisms that allow us to pay attention. The other relates to the way the brain integrates information, both across the senses and within a single sense.
Synaesthesia, an unusual condition in which stimulation in one sensory modality generates an additional experience, provides a unique perspective of this integration. For example, in ‘sound-colour’ synaesthesia, a sound elicits a colour experience; in ‘grapheme-colour’ synaesthesia, letters, digits and words each generate particular involuntary colours. Although unusual, synaesthesia is not a disorder. She is currently conducting studies on grapheme-colour, sound-colour, and olfactory-colour synaesthesia.
As part of receiving the prestigious Paul Bourke Award in 2013 from the Academy of Social Sciences in Australia, on 1st May 2014 Associate Professor Rich discussed her research on synaesthesia and the mappings we all have between our senses, giving insights into the way the brain integrates information for conscious perception of the world.
If you haven’t seen it or you’ve seen it a hundred times, it still works. The McGurk Effect demonstrates how we use visual information when we listen .. what we see … affects .. what we hear.
Focusing on work rather than thinking gets in the way of innovative research and collaboration, says David McAlpine. David heads a communication research group, The Hearing Hub and he walks his own talk. Collaborating with researchers, not for profits and corporate partners, he is demonstrating a new model for outcome-based research. With a focus on improving the communication experience over the lifetime, he’s worth listening to.
There are two narratives in this story. First, The Hearing Hub is a multidisciplinary collaborative research centre located within a university. The centre collaborates with academic, not for profit, government and corporate stakeholders. Making this model work, without compromising the research outcomes, is a major accomplishment for The Hearing Hub and its Director. The second narrative is a compelling ‘call to action’. David asks us to consider new paradigms of research; incorporating diverse members of the research community as well as the beneficiaries of the research. It is a model based on quality not quantity, creativity and rigour, and it is an approach that is not tied to the publish or perish imperative that drives many contemporary research centres.
Professor David McAlpine is Macquarie University’s Director of Hearing Research at the Australian Hearing Hub and is a 2016 Australian Laureate Fellow by the Australian Research Council (ARC). Dr McAlpine joined Macquarie University in 2015, after a decade as the Professor of Auditory Neuroscience at University College London and Director of the UCL Ear Institute.
He says that communication is a vital aspect of what it means to be human, and hearing is critical to communication. His research interests span neural modeling, methods for recording individual neurons in the brain, as well as brain-imaging and electrophysiology in normal and hearing-impaired listeners, including those who use cochlear implants. The outcomes of this research could help to improve our understanding of how we naturally perform these remarkable feats, with potential applications in how we can restore the ability in individuals who have lost their hearing and rely on hearing devices to hear.
Sound Minds Radio : EXPLORING THE THINKING BEHIND THE IDEAS